Discounts for butoh kan workshops! and CAVEnexus introduction!

We are happy to share with you CAVEnexus and to offer you great discounts for the upcoming butoh workshops in NY.

CAVEnexus is a social networking platform offered for all artists working in contemporary visual and performing arts. The site is still in beta and we hope you join it. It has the capability to host your portfolio of photos, video and/or music. There are some butoh related groups and we hope some of the groups can grow into a global searchable directory of butoh related resources. You can make this possible!

Butoh Kan is coming up and most of our wallets are a bit tight, so we hope this discounts will help some of you to take advantage of the great workshops that will kick off next month and run throughout the fall.

This offer only applies to NEW registrations, so it does not affect your current registration. This offer is for previous Butoh-Kan participants. People who become members AND upload content in CAVEnexus* can choose to take up to two intensive or intro workshops** with 60-30 % discounts. Discounts apply to the current workshop prices. The first 6 people to become eligible members will receive 60% off; the next 6 people receive 50% off, the next 6 people will received 40% off and the next 6 people 30% off. Get your stuff up quick!

*To be eligible you must: become a member of CAVEnexus, have a profile
photo, complete all profile questions, upload a least 5 photos and one 
video of your work, join the butoh nexus group and answer a least one
question from the butoh nexus group discussion page. If you don’t have
images or video of your work you must answer at least four questions from
the butoh nexus group discussion page. You have to complete ALL these
steps in order to be an eligible member for the discounts.

** This offer is first come first serve, so send an email to butoh@caveartspace.org as soon as your CAVEnexus membership is completed. Workshop(s) registration and full payment should follow immediately after confirmation of your discount. We cannot guarantee a space in your chosen workshop(s) unless payment is done right after confirmation is received. No refunds or credit will be given to discounted workshops.

CAVEnexus is located at: <http://nexus.cavearts.org/>

Have questions? Somebody will be at the CAVE office all day today to answer any technical questions you might have about uploading your content. Just call 347 838 4677.

Luckily, everything that you upload to CAVEnexus can be sent to your facebook or twitter with one click! Of course you can just join CAVEnexus on your own terms at anytime even if this time you can’t be part of the butoh-kan program.

Pleases spread the word and have a good day today!

CAVE SUBSIDIZED STUDIO SHARE RESIDENCY OPEN CALL


CAVE SUBSIDIZED STUDIO SHARE RESIDENCY OPEN CALL

  
 

CAVE, one of Williamsburg’s longest-running experimental art spaces, hosts year-long subsidized studio share residency to five individual/groups. Through this residency, CAVE aims to provide an arena for artistic exploration to the local community of dancers, choreographers, interdisciplinary artists, and body-workers, all who seek the space to create and share their work.

 

ABOUT THE RESIDENCY

The next CAVE Subsidized Studio Share Residency begins September 1, 2010. For a flat monthly fee of $270 USD, CAVE Subsidized Studio Share Resident artists receive: up to twelve hours per week of rehearsal/private class space; bi-monthly inclusion of their activities on CAVE’s e-mail newsletter; access to Material for the Arts supplies; and the use of one small camcorder and one video projector (in-studio use only).

 

ABOUT THE STUDIO

This studio space is 450 square feet with 16 foot – 11 foot  ceilings. It has a sprung, black marley floor, a private dressing area and an adjacent restroom. It is equipped with a stereo system (CD player and IPod hook-up). The space is heated during the winter and has fans for the summer, as well as skylights. Chosen artists will be responsible for self-management and keeping the studio clean.

 

HOW TO APPLY

To apply, please fill out and submit the application form by Friday, August 6, 2010. 

ABOUT CAVE

Founded in 1996, CAVE is one of the longest-running experimental art spaces in Williamsburg, Brooklyn. CAVE strives to provide an explorative arena and support system for artistic development by hosting studio workspace, educational workshops, performance opportunities and assistance in the realization of projects that support risk taking in the in visual, media and performing arts.

CONTACT

Please contact studio@caveartspace.org with any questions.

LEIMAY at the 17th Annual Watermill Benefit

LEIMAY will be performing Angelus.

In A Labyrinth: The Dance of Butoh

Photographic book by Michael Phillip Manheim, with prose by Ximena Garnica. The work is also the subject of an exhibition at the National Museum of Dance (Saratoga Springs, NY) until March 2011. 

LEIMAY Performance at the Urban Research Theater

LEIMAY: Ximena Garnica | Shige Moriya 
with Denisa Musilova, Masa Asahara, Miyu Leilani

LEIMAY is an interdisciplinary project and laboratory of contemporary performance and installation art. LEIMAY is the parapluie for Shige Moriya art works, Ximena Garnica art works and the collaboration work between these two artists. Works range from art installations, to dance-theater pieces, inter-media collaborations, improvisational studies and training projects. LEIMAY is a made-up word based on a Japanese term meaning the moment of change (as in the moment between darkness and the light at dawn; also the time of change between eras. Their permanent studio is located inside the experimental and contemporary art space known as CAVE. www.leimay.org / www.cavearts.org

Performance:
BECOMING
Excerpts of a LEIMAY work in progress.
Concept and Design: Ximena Garnica & Shige Moriya
Choreography: Ximena Garnica
Live Video: Shige Moriya
Music: Laddio Bolocko & Roland Toledo
Dancers: Denisa Musilova, Masa Asahara, Miyu Leilani

“I am he, the nameless one, who does not know himself and whose name is concealed even from himself. I have not name, since I have not yet existed, but have only just become… I, who I am, am not it. But I, who will be I before me and after me, am it.”

Please click this link for more information regarding LEIMAY’s performance at Urban Research Theater.

Please Take Three Minutes for the Arts

Whether the upcoming state budget will be passed next week or if there will be another extension, is not clear. It is clear, however, that the appropriation for the New York State Council on the Arts is settled: $28 million dollars, a 33% decrease from last year.

No other state agency has been so severely cut. The arts should not be asked to bear a disproportionate share of our state’s financial burden, especially given that, for every dollar of arts funding, eight dollars of income is generated.
 
Please, before this proposal is finalized next week, call or fax the following and (politely!) express your displeasure.

Senator John Sampson 

(tel) 518-455-2788

(fax) 518-426-6806
 
Speaker Sheldon Silver

(tel) 518-455-3792 

(fax) 518-455-5459

CAVE TRAINING & PERFORMANCE SEASON

  

CAVE_logo_black

CAVE Organization, Inc.
58 Grand Street
Brooklyn, NY 11211
347.838.4677 
www.cavearts.org

FOR IMMEDIATE RELEASE

CAVE TRAINING & PERFORMANCE SEASON  
13 AUGUST TO 27 NOVEMBER 2010

LUDUS: NEW YORK BUTOH KAN TEACHING RESIDENCY + TRAINING INITIATIVE

AT HOME: CAVE PERFORMANCE SEASON

New York, NY — CAVE is pleased to announce the continuation of its 2010 training program and performance season.  LUDUS (school + play) is the educational program of CAVE and its resident company LEIMAY. The core of the program is the New York Butoh Kan (NYBK) Teaching Residency + Training Initiative. Every year, influential butoh artists living abroad are invited to lead workshops as resident teachers at CAVE. This year’s residents are Mari Osanai, Yukio Waguri, Imre Thormann and Yukio Suzuki. All residents will lead both introductory and intensive sessions, open to dancers, actors and performers. NYBK-related activities include LEIMAY Open Training, lead by Ximena Garnica, and lectures by and interviews with our resident teachers. Resident teachers will also be performing as a part of CAVE’s At Home: Performance Series. This series showcases established butoh artists, those widely recognized figures in the contemporary dissemination of butoh styles and techniques. At Home is also organized in order to support the work of CAVE residents and local artists and as supplement to CAVE’s educational activities.

All activities will take place at CAVE in Williamsburg, Brooklyn. For full details about Ludus: New York Butoh Kan Teaching Residency + Training Initiative and At Home: CAVE Performance Season, to purchase tickets and to register for workshops, please visit our website, or call 347.838.4677, or email us.

PERFORMANCES 

Dance by Mari Osani

Dates: 28 & 29 August 

Time: 8 p.m.

Cost: $18 for adults; $15 for NYBK students, students with valid ID and seniors

Dance by Yukio Suzuki

Dates: 10 & 11 November

Time: 8 p.m.

Cost: $18 for adults; $15 for NYBK students, students with valid ID and seniors

Performance by LEIMAY

Date: December 3, 4 & 5 

Time: 8 p.m.

Cost: $18 for adults; $15 for NYBK students, students with valid ID and seniors

BUTOH WORKSHOPS 

Mari Osanai Introductory

Session Dates: 13 – 15 August

Times: Friday 6 – 10 p.m. / Saturday & Sunday 10 a.m. – 2 p.m.

Cost: $240 

Noguchi Taizo (Noguchi Gymnastics) 

Noguchi Taizo was created in Japan by Michizo Noguchi (1914-1998) during the same period as butoh was being developed by Tatsumi Hijikata and Kazuo Ohno. The aim is to develop the uniqueness of each individual movement and to relieve any undue strain. Taizo means ‘gym’ in Japanese, but not in the conventional sense. As Osanai explains, “This technique has nothing to do with… the swelling of the muscles nor resistance forces. The body learns to move in a certain way but is loose and fluid. It becomes soft and flexible as it moves from the weight, which is not fighting anymore but used to be moved.”

Mari Osanai Intensive Session

Dates: 16 – 26 August (day off: 24 August)

Times: 10 a.m. – 2 p.m.

Cost: $580   

Noguchi Taiso for Dancers 

In this session, Mari Osanai will share with the students the ways in which she applies Noguchi Taiso to dancing and training. Mind and body awareness of the weight of each body part, of the natural elements and its infinitive presence in the body will be explored in this session in which each body part is viewed and approached as a unique laboratory.

Yukio Waguri Introductory Session

Dates: 10 – 12 September

Times: Friday 6 – 10 p.m. / Saturday & Sunday 10 a.m. – 2 p.m.

Cost: $240 

Words & Movement. The Two Elements That Bring into Existence Butoh. 

Participants will seek the butoh way of body according to Tatsumi Hijikata’s method. Thinking of the body as a medium and as a transfiguring container, the students will experience the seven butoh worlds with Waguri’s Butoh Kaden.

Yukio Waguri Intensive Session

Dates: 16 – 26 September (day off: 21 September)

Times: 10 a.m. – 2 p.m.

Cost: $580  

Dancing Hijikata’s Butoh 

This session will deepen the understanding of the Butoh notation of the seven worlds. At the same time, students will be encouraged to develop a clear working relationship between space and time and practice reserving the power to take an objective analysis of their dances.

Imre Thormann Introductory Session

Dates: 1 – 3 October

Times: Friday 6 – 10 p.m. / Saturday & Sunday 10 a.m. – 2 p.m.

Cost: $240

Imre Thormann Intensive Session

Dates: 7 – 17 October (day off: 12 October)

Times: 10 a.m. – 2 p.m.

Cost: $580 

Butoh and Noguchi Taizo 

Introductory and Intensive Sessions will deal with Thormann’s statement, “In my workshop I do not convey any fixed form or technique, but the natural principles that form the basis of movement (spiral, wave, gravity, emotion, etc.). We will focus on movements like standing and walking, as well as on emotional forms of expression. We will establish a basis that will enable us to exchange conventional patterns of movement for fresh approaches that will help us to execute movements easily but with a deeper sensation.”

Yukio Suzuki Introductory Session

Dates: 22 – 24 October

Times: Friday 6 – 10 p.m. / Saturday & Sunday 10 a.m. – 2 p.m.

Cost: $240 

Re-construction of Your Bod

Students will learn how to be aware of and move the body, according to butoh principles, so as to gradually betray their habitual movements and way of thinking. That is, to try to change the texture of the body as a thing. Then, to play with the new thing.

Yukio Suzuki Intensive Session

Dates: 28 October – 7 November (day off: 2 November)

Times: 10 a.m. – 2 p.m.

Cost: $580

Standing and Disable Standing 

Students will try to make their own space and time with an idea provided by Suzuki, keeping the situation unstable: standing and disabling standing, coexisting with two contradictory things, leading to an awareness the body as always unstable yet in control.

DROP IN CLASSES

LEIMAY Open Training

Times: 3 p.m. – 7 p.m.

Cost: $15 per class; $10 per class for NYBK students

Lead by Artistic Director Ximena Garnica, LEIMAY Open Training will take place every Saturday during the months of August, October and November.  This class is an opportunity to experience the company’s ongoing training and to be considered for LEIMAY performance and investigation projects.

INTERVIEWS AND LECTURES

Mari Osanai interview with Ximena Garnica

Date: 24 August

Time: 7:30 p.m.

Cost: Free

Yukio Waguri lecture on Butoh

Date: 21 September

Time: 7:30 p.m.

Cost: Free

Imre Thormann lecture on Noguchi

Date: 12 October

Time: 7:30 p.m.

Cost: Free

Yukio Suzuki interview with Ximena Garnica

Date: 2 November

Time: 7:30 p.m.

Cost: Free

ARTIST BIOGRAPHIES

Mari Osanai lives in Japan. She trained in Classical Ballet, Noguchi Taizo, Yoga, Tai Chi, Hip Hop, Aomori Tsugarou Teodori and Jazz. Her unique movements and original style are realized through interweaving these diverse techniques. Two teachers who have greatly influenced her artistic path are Michizo Noguchi, the founder of Noguchi Taizo, and Hironobu Oikawa, one of the most important contemporary Japanese dance teachers. She has taught and presented her work in Greece, Canada, Japan and the Unites States.

Yukio Waguri was the main male dancer at Tatsumi Hijikata’s Asbestos-kan from 1972 to 1978. From this period, he kept notes of the words Hijikata-butoh’s co-founder-spoke while choreographing. These words are called Butoh-fu, a unique method for choreography. Waguri has made his own interpretation of these words and continues to use them as a method for his own choreography and teaching. Over the past 28 years he has taught and choreographed around the world. He is the Artistic Director of the Kohzensha Butoh Company.

Imre Thorman completed his education in the F.M. Alexander technique in 1990. Soon after, he relocated to Tokyo. He spent seven years learning Japanese and studying with butoh co-founder Kazuo Ohno and with Noguchi Taizo founder Michizou Noguchi. His experience with these three methodologies converged to create his unique dance approach and teaching method. Since 1993, he has put on several butoh solo performances in Europe as well as in Japan and initiated the Japan Now Festival in Bern (Switzerland) and Gdansk (Poland), together with Shigeo Makabe. He currently lives and works in Berlin and travels throughout Europe teaching and performing.

Yukio Suzuki is one of Japan’s most exciting choreographers and dancers. He studied butoh at the “Karada no Gakko” of the Asbestos-kan and from Ko Murobushi. While leading his own company, Kingyo, Suzuki also dances for Ko Murobushi’s company Ko & Edge Co. and has danced for Tuyoshi Shirai, Goro Namerikawa (the starting member of Sankaijuku), and in the performance group SAL-VANILLA. Recently, he has choreographed for other companies including the Tokyo City Ballet, participated in the final Next-Next program of the Saison Foundation, and won the Choreographer of the Next Generation award in 2008.

Ximena Garnica is the Artistic Director of LEIMAY, an interdisciplinary project company and laboratory of performance in residence at CAVE. A student of theatre since childhood, Garnica has been exploring butoh for the past decade. Her work questions the body as a medium and dance, theater, and/or installation as a genre.

ABOUT CAVE

Founded in 1996, CAVE is one of the longest-running experimental art spaces in the Williamsburg, Brooklyn. CAVE strives to provide an explorative arena and support system for artistic development by hosting studio workspace, educational workshops, performance opportunities and assistance in the realization of projects that support risk taking in the in visual, media and performing arts.

SUPPORT

The New York Butoh Kan Teaching Residency + Training Initiative is made possible by support from the National Endowment for the Arts. CAVE performances and workshop presentations are supported in part by public funds from the New York City Department of Cultural Affairs. CAVE performance season in made possible with public funds from the New York State Council of the Arts, a state agency.

PRESS MATERIALS AND CONTACT

Click here to access an article about NYBK 2010. For addition information and high-resolution photographs, please contact Jacqueline Mabey at butoh@caveartspace.org.

CAVE on the Asian American Arts Alliance

Check out our page on the Asian American Arts Alliance. Are you a member of the Asian American Arts Alliance, too? We should be internet friends. 

CAVE STUDIO RENTAL SPECIAL

Bookings made BEFORE JUNE 10TH for blocks of time within the month of June pay only $7/hour!!! Book now, space is limited!!! Click the link to book online!!